![]() ![]() He was also the designer of the interiors of three ocean liners, the Ile-de-France (1926), the L'Atlantique (1930), and the Normandie (1935). He designed the entrance to the Pavilion of a Collector at the 1925 Exposition of Decorative Arts, the birthplace of the style. He was one of the founders of the Art Deco style. Buildings using variants of the style appeared in Belgium and in Paris, notably in a building at 3 boulevard Victor in the 15th arrondissement, by the architect Pierre Patout. The French version was inspired by the launch of the ocean liner Normandie in 1935, which featured an Art Deco dining room with columns of Lalique crystal. In France, the style was called Paquebot, meaning ocean liner. Night image, NBC Hollywood Studios (also known as "Radio City Hollywood") at Sunset and Vine (1938) In tract development, elements of the style were sometimes used as a variation in postwar row housing in San Francisco's Sunset District. The Lydecker House in Los Angeles, built by Howard Lydecker, is an example of Streamline Moderne design in residential architecture. The Sterling Streamliner Diners in New England were diners designed like streamlined trains.Īlthough Streamline Moderne houses are less common than streamline commercial buildings, residences do exist. The Normandie Hotel in San Juan, Puerto Rico, which opened during 1942, is built in the stylized shape of the ocean liner SS Normandie, and displays the ship's original sign. It is now the administrative center of Aquatic Park Historic District. The interior preserves much of the original decoration and detail, including murals by artist and color theoretician Hilaire Hiler. Built beginning in 1936 by the Works Progress Administration, it features the distinctive horizontal lines, classic rounded corners railing and windows of the style, resembling the elements of ship. They were frequently white or in subdued pastel colors.Īn example of this style is the Aquatic Park Bathhouse in the Aquatic Park Historic District, in San Francisco. It had characteristics common with modern architecture, including a horizontal orientation, rounded corners, the use of glass brick walls or porthole windows, flat roofs, chrome-plated hardware, and horizontal grooves or lines in the walls. Streamline Moderne appeared most often in buildings related to transportation and movement, such as bus and train stations, airport terminals, roadside cafes, and port buildings. The Strand Palace Hotel foyer (1930), preserved from demolition by the Victoria and Albert Museum during 1969, was one of the first uses of internally lit architectural glass, and coincidentally was the first Moderne interior preserved in a museum. In the first-class dining room of the SS Normandie, fitted out 1933–35, twelve tall pillars of Lalique glass, and 38 columns lit from within illuminated the room. The style was the first to incorporate electric light into architectural structure. The Streamline Moderne was sometimes a reflection of austere economic times sharp angles were replaced with simple, aerodynamic curves, and ornament was replaced with smooth concrete and glass. ![]() Examples of this style include the 1923 Mossehaus, the reconstruction of the corner of a Berlin office building in 1923 by Erich Mendelsohn and Richard Neutra. The cylindrical forms and long horizontal windowing in architecture may also have been influenced by constructivism, and by the New Objectivity artists, a movement connected to the German Werkbund. ( October 2020) ( Learn how and when to remove this template message)Īs the Great Depression of the 1930s progressed, Americans saw a new aspect of Art Deco, i.e., streamlining, a concept first conceived by industrial designers who stripped Art Deco design of its ornament in favor of the aerodynamic pure-line concept of motion and speed developed from scientific thinking. Unsourced material may be challenged and removed. Please help improve this section by adding citations to reliable sources. ![]()
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